In the early 1970s, the punk scene pummeled through the U.K., sweeping up rebellious youths disenchanted with British society.

Police officers in London arrest a man during an anti-capitalist rally in 1984.

Punk rock was inherently anti-establishment. Many young people in Britain struggled to get by in a slow economy and found something to believe in with punk music.

Photo by Steve Eason/Hulton Archive/Getty Images Prince Charles meets with members of a British punk group in 1975. Photo by Hulton Archive/Getty Images A punk hairdo spotted in Chelsea, London in October 1983. Photo by M. McKeown/Express/Getty Images Two punk rockers sitting on a bench in Birmingham in April 1987. An older British woman looks at them with a disgusted expression. Photo by Staff/Mirrorpix/Getty Images A businessman waves his finger at two punks sitting on a bench in London, September 1984. Photo by Colin Davey/Getty Images Sid Vicious, the bassist for the punk rock band the Sex Pistols, stands at center with his jacket open. His girlfriend Nancy Spungen stands to his right.

Vicious was accused of murdering Spungen in October 1978. He died a few months later of a heroin overdose while awaiting trial.

Photo by Kerstin Rodgers/Redferns A girl punk kisses a policeman on New Year's Eve, 1984, at Trafalgar Square in London. Photo by Nigel Wright/Mirrorpix/Getty Images "God Save The Queen," a nod to the Sex Pistols' banned single, is written on the top of this jacket. The jacket also features a British flag and a swastika. Photo by Chris Moorhouse/Getty Images A man in a bowler hat argues with protestors during an anti-capitalist demonstration in London, September 1984. Photo by Steve Eason/Hulton Archive/Getty Images The punk band The Ramones play to a crowd in Liverpool, 1977. Photo by Ian Dickson/Redferns Young punks wait outside a music venue in London, 1977, to see The Clash and The Jam perform. Photo by Chris Moorhouse/Evening Standard/Getty Images The "Sex" shop, pictured here in December 1976, was owned by Malcolm McLauren and Vivienne Westwood. It helped supply punks with much of their fashion, while McLauren was also the manager for the Sex Pistols. Photo by Staff/Mirrorpix/Getty Images A young woman is led by a leash in 1977, London, before a performance by The Jam and The Clash. Photo by Chris Moorhouse/Evening Standard/Getty Images A girl wearing punk clothes and make up, including the words "No Future" across her forehead.

"No Future" was the original title of the Sex Pistols' song, "God Save The Queen." British youths, frustrated by the state of affairs in Britain, took up "no future" as a rallying cry.

Photo by Chris Moorhouse/Getty Images Photo by Virginia Turbett/Redferns A punk fan wears a leather jacket hand- painted with a Sex Pistols logo and a reference to their song "Belsen Was A Gas."Photo by Virginia Turbett/Redferns A punk with a mohawk makes a face for the camera. He and his companion are at the 100 Club for the 10th Anniversary of the last Sex Pistols concert in London, January 1988.

The Sex Pistols arguably defined the British punk movement, but they were short-lived as a group. They broke up in 1978, having released one album.

Photo by John Shenton/Mirrorpix/Getty Images Policemen direct a punk demonstrator outside the Bank of England in September 1984 during an anti-capitalist demonstration. Photo by Alisdair MacDonald/Mirrorpix/Getty Images Punks film a scene for the movie "Breaking Glass" in October 1979.

The film includes a line which sums up the British punk music. "'I don't like the way life is for the majority of us. I don't say I can change it, but I can sing about it.''

Photo by Evening Standard/Getty Images Punk fans destroy the music venue The Rainbow after a performance by The Clash and The Jam in 1977. Photo by Chris Moorhouse/Evening Standard/Getty Images Punk fans shout from the audience while watching the punk band "The Ruts" perform at Rock Against Racism in 1979.Photo by Virginia Turbett/Redferns Photo by Virginia Turbett/Redferns Members of the British punk band GBH at Birmingham International Arena in Birmingham, 1982.Photo by Erica Echenberg/Redferns The Sex Pistols with their manager Malcolm McLaren signing a new contract with A&M Records after being dropped from EMI outside of Buckingham Palace in London on March 10, 1977.

EMI dropped the Sex Pistols after the band used profanity on live TV, swore at the Heathrow airport staff, and spat at each other while waiting to board a flight to the Netherlands. They were dropped by A&M after one week for similar reasons.

Photo by Graham Wood/Evening Standard/Hulton Archive/Getty Images A group of punks and skinheads stand outside a house where they had been squatting in London, June 1979. Photo by LNA/Evening Standard/Getty Images Two young people wearing punk fashions in London, 1983. Photo by Martyn Goodacre/Getty Images Policemen stop two punks in the street during the "Stop the City" demonstration in London, September 1984. Photo by Steve Eason/Hulton Archive/Getty Images A group of punks clad in leather jackets and bright pants. Photo by Virginia Turbett/Redferns The British punk band GBH with mohawks, 1982. Photo by Erica Echenberg/Redferns Punks with mohawks gather in Soho, London. Photo by Virginia Turbett/Redferns Two punks in London, 1984. Photo by Chris Wood/Daily Express/Hulton Archive/Getty Images A group of punks in Chelsea, London, in 1977. Photo by Estate Of Keith Morris/Redferns/Getty Images

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32 Intimate Images From The Heyday Of British Punk View Gallery

The music was loud, the fashion outrageous, and the musicians were wild, reckless, and raving — so much so that on a flight with the band Sex Pistols one passenger demanded, "What are we flying with — a load of animals?" This was the world of British punk in the 1970s and 1980s.

It didn't make sense to outsiders because it wasn't supposed to. British punk was a scream of rebellion from young people let down by a crumbling economy. For a smattering of wild years, it tore through British culture like a savage animal.

But the magic of punk was in its rebellion. Success was poison, and thus, the movement was fleeting, intense, and vividly memorable to all that lived through it.

The Transatlantic Origins Of British Punk

Wikimedia CommonsThe New York Dolls, an early punk band.

The first hints of punk music came out of Detroit, Michigan in the 1960s, when bands like Iggy and the Stooges and MC5 whipped up a new sort of sound that tossed the rock n' roll rulebook out the window. Their music was intentionally raw and crude — and often political.

"We wanted to kick ass and raise consciousness," recalled John Sinclair, MC5's manager.

This combination of political anger and explosive music birthed something new into the world of rock. One rock critic called MC5's sound "a catastrophic force of nature the band was barely able to control."

Before long, this exciting new sound powered its way east to New York City. There, bands like the New York Dolls and Television embraced — and amplified — the new sound. A failed British art student named Malcolm McLauren took notice.

McLauren had run a clothing store back in London with famous fashion designer Vivianne Westwood called Let It Rock. The goal of the store, McLauren later said, was to "run wild" and "sell nothing at all." His outlook fit snugly with the nascent punk scene in NYC.

There, McLauren managed and dressed the New York Dolls, encouraging their tendency to shock by throwing up Nazi salutes or vomiting in front of photographers.

After the band fizzled out, McLauren took these ideas about punk music back home to London — and the British punk scene was born.

Inside The World Of British Punk

Wikimedia CommonsThe Sex Pistols, a huge part of the British punk movement, in 1977.

In the U.K., the concept of punk rock met an eager audience of youths who felt disenchanted by British society. A 1978 article in Time Magazine described the phenomenon of punk rock in Britain thusly:

"In Britain, punk is the voice (some would say vice) of working-class kids who cannot find jobs and care not a whit for the traditions of their homeland."

In punk music, those wayward teens found solace and validation. There was also punk fashion, which was eagerly supplied by McLauren and Westwood at their clothing store SEX. Soon, McLauren was managing a band of young Brits called the Sex Pistols — who shocked the nation and delighted British youths after they dropped f-bombs on Bill Grundy's Today show.

The appearance cost Grundy his job — but brought the Sex Pistols to the forefront of British music.

The Sex Pistols would go on to shock polite British society again and again. Radio DJs were encouraged not to say the whole title of their only album, "Never Mind The Bollocks," out loud. Record stores refrained from showing the album in their window.

Plus, the Sex Pistols made sure their single "God Save the Queen" dropped on the same day as Queen Elizabeth's 1977 Silver Jubilee. The BBC promptly banned both the song and the album cover, which featured the Queen.

"This is punk rock," quipped NBC News in 1977. "And its purpose is to promote violence, sex, and destruction, in that order."

But what shocked many adults delighted British — and American — youths. Before long, other punk rock bands like The Clash, Joy Division, and Buzzcocks roared onto the scene. British youth swarmed the streets of London in leather jackets, ripped fishnets, and mohawks.

In "God Save The Queen," they found something to admire. The song was originally titled "No Future" and British youths took this up as a rallying cry against the establishment.

But punk rock held an inherent contradiction that made its existence fragile.

"The biggest catastrophe for punk rock would of course be huge success," said Time Magazine in 1977. "How does a rebel maintain his pose while earning $1 million a year?"

The Musical Legacy Of The British Punk Movement

Wikimedia CommonsThe Sex Pistols' single "God Save The Queen" was banned by the BBC.

By 1978, the Sex Pistols had broken up. The punk scene, which would continue to flare into the '80s, soon sputtered and died.

"Nostalgia, that most un-punk of notions, hangs heavy over festivals and 'back in the day' bore-stories," noted the Museum of Youth Culture about the British punk movement. Punk graphics, once a symbol of rebellion, are today used to sell "credit cards and burgers."

So, what is the legacy of British punk? Malcolm McLauren, who arguably helped define punk music, spent most of his life trying to explain the unexplainable.

"I never thought the Sex Pistols would be any good," he told The Times of London in 2009, a year before he died. "But it didn't matter if they were bad."

Buzzcocks guitarist Steve Diggle touched on a similar idea. "A punk motto was to be yourself and do it yourself," he said. "We shocked the country. It pulled the carpet from under the record ­companies' feet. People were frustrated and they wanted something to identify with."

Put another way, punk embraced ideas of individualism, rebellion, and doing something for the sake of doing it — not because it fell in line with societal expectations or constraints. And that legacy of British punk music continues to be felt in music today.

Bands that emerged in the 1990s, like Nirvana, cited punk as an influence. Green Day, Blink-182, and Linkin Park all embraced a punk model — and with commercial success.

Perhaps nothing sums up the legacy of punk music better than a 1970s graffiti tag smeared on a wall outside the Roxy, a London music venue:

"Punk is dead. Long live punk!"

After reading about the British punk movement, check out these 1970s photos of New York City. Or, look through 25 of rock's craziest stories.

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